Showing posts sorted by relevance for query northern mining town gothic. Sort by date Show all posts
Showing posts sorted by relevance for query northern mining town gothic. Sort by date Show all posts

Monday, November 07, 2011

Out-of-Town-Authors: Michael Rowe

ENTER, anti-Twilight
Winnipeg occupies big spot in the heart of vampire-novelist Michael Rowe


Winnipeg Free Press - PRINT EDITION
by: Ariel Gordon

On the surface of things, it may appear that Toronto-based writer and journalist Michael Rowe is coming to town to launch his new vampire novel, Enter, Night (ChiZine Publications).

But the true horror lies deeper: the event is also a high school reunion of sorts for Rowe, who attended St. John's Cathedral Boys' School in Selkirk from 1977 to 1981.

"I came to St. John's from a private school in Geneva, Switzerland," says Rowe, whose father was a diplomat. "My parents were a little concerned at the level of privilege I was growing up around in the mid-70s. I had a cousin who'd gone to St. John's, so it was a logical family choice. They thought St. John's would challenge me and toughen me up."

The school was renowned for its outdoor sports program, which included snowshoeing and canoeing.

"Over the four years I was at St. John's, I canoed something like 2,200 miles through the northern Ontario and Manitoba wilderness," says Rowe. "It made an impression. The Canadian hinterlands are really gothic if looked at just the right way. For a burgeoning horror writer, which I probably was even at 16, they're almost Canada's Transylvania - a wild, untamed part of the world where almost anything could happen."

It seems logical, then, that Rowe's first full-length work of fiction would be set in a northern Ontario mining town - as does his choice to name the fictional Parr's Landing after his SJC history teacher, Fred Parr.

"I love small towns," says Rowe. "I lived in a small town in Switzerland when my dad was at the UN. Selkirk was a small town. I lived in Milton, Ont., for six years in the late '80s and early '90s. It's largely a suburb now, but then it was a small town surrounded by farmland. Small towns are great places for writers with my interests to watch people."

Enter, Night represents something new for Rowe, who has also published three books of non-fiction and edited two anthologies of queer horror fiction.

"My work up till now, with a few exceptions, including a handful of short stories and a novella, has all been essays and journalism," says Rowe. "In many ways, although Enter, Night is tangentially about vampires, it's about a lot of the things I usually write about - for instance families, bullying, the corrosive effect of power on vulnerable people, and how human beings treat each other, especially in the face of a crisis."

"When I decided to write this novel, I'd anticipated a light supernatural romp, but in many ways it's the deepest, darkest, and most soul-scouring story I've ever written."

That darkness is probably what prompted Rowe's publisher, respected horror press ChiZine, to dub Enter, Night "the anti-Twilight."

"In many ways, I guess, Enter, Night is a very retro vampire novel," says Rowe. "The devastation that vampirism wreaks on the population it infects is significant in the book. In many ways, it mirrors the devastation that other parasitic elements in the story also wreak - anti-Indian prejudice, homophobia, tyrannical families, and carnivorous small towns.

"And underlying it, of course, is the fact that the vampire himself is a resurrected Catholic priest who came to Canada in the 17th century to colonize the Indians. The concept of colonialism is surely the ultimate vampirism - feeding off an indigenous population, consuming them, and making them like you."

Though Rowe is currently hard at work on his next book, a ghost story called Wild Fell, he is glad to have the chance to share Enter, Night with Winnipeg readers.

"I've always considered Winnipeg one of my 'homes,' one of the cities of my heart," says Rowe, who has since lived in Beirut, Havana and Paris. "In a very real sense, this is a homecoming. My book is part of what I have to show for my 32 years away, roaming the world."

Michael Rowe will launch Enter, Night at McNally Robinson Booksellers on Thursday at 7 p.m. He will be introduced by fellow horror writer Susie Moloney.

Ariel Gordon is a Winnipeg writer.


* * *

This was a one-off article about former Manitoban writer Michael Rowe. It appeared on the same page as my regular Out of Town Authors interview with Will Ferguson.

Monday, August 27, 2007

moth, august


Photo Waverley Heights, Winnipeg, Mb. August 26, 2007.


This photo is for Harvey Schmidt, photographer, naturalist, and caretaker of my favourite northern-mining-town-gothic poet.

Monday, August 31, 2009

Reprint: 12 or 20 Questions

Hey all, I'm featured today on rob mclennan's blog as a part of his 12 or 20 Questions series.

As with all my off-page (i.e. writing life versus writing) endeavors, I'm mostly trying not to embarrass myself...

Here's an excerpt:

6 – Do you have any theoretical concerns behind your writing? What kinds of questions are you trying to answer with your work? What do you even think the current questions are?

Why are such different roles and different expectations assigned to men and women, especially around parenting? Why is being an absent parent so gendered? What does it mean that writing about absent parents means absenting myself, at least to some degree, from my daughter’s life?

7 – What do you see the current role of the writer being in larger culture? Does s/he even have one? What do you think the role of the writer should be?

I’m going to loosely paraphrase a section from Rutting Season, a recent poetry + conversation anthology from Montreal’s Buffalo Runs Press that I’m in by saying that I believe that poets and other writers present people with ways of being and feeling in the world, with choices, with conversation. And I’m all for conversation, even if it’s a limited and stuttering conversation, with many uncomfortable silences. I also believe that as writers we tell ourselves stories as much as we tell other people stories. That that comfort is there for us as writers, even if the material itself isn't comforting…

8 - Do you find the process of working with an outside editor difficult or essential (or both)?

I’m just about to start editing my first full collection and have to say that working with an editor is the part of the process I’m most looking forward to…

Basically, I see the manuscript as a drum and I’m so looking forward to having someone pick it up and give it a good goddamn bang. I want to see what falls out, but most of all, I want to see how it sounds to someone whose ear I trust.

9 - What is the best piece of advice you've heard (not necessarily given to you directly)?

I hate advice, but my favourite northern mining-town gothic poet (i.e. Brenda Schmidt) keeps giving it. The most simple and direct and therefore the most effective so far has been: “Good grief! Get to work!”