The Jane Day Reader: Kelly Hughes Live!

Tuesday, August 31, 2010

Kelly Hughes Live!

My experience of this year's THIN AIR, Winnipeg International Writers Festival will be incredibly tangled.

I'm going to be reading at the festival for the first time, which I'm OVER the MOON about. I've got a contract to run their blog, now in its fourth year. And I'm working at Aqua Books, which is hosting events for the fest for the third year in a row.

Basically, I won't know who I'm working for - the fest, Kelly, or myself.

But this Friday, I'll be appearing on Kelly Hughes Live! as part of his annual THIN AIR preview.

For those of you not-from-Winnipeg, KHL! is a live talk show that bookstore owner Kelly Hughes does most Friday nights. He has guests, he has a band, he even does a monologue.

People like it. He likes it. And it bleeds off some of his excess did-I-mention-I-used-to-ACT energy, which believe me, is a good thing. (Fewer showtunes while I'm at work for one...)

I was reluctant to appear on the show because goddamn it, I work there and everyone knows it. Also, working there is all Kelly Hughes Live all the time.

Also, when I attend regular events at Aqua that Kelly is hosting, I tend to heckle him voraciously. And vice versa. So it might be ridiculous.

But Kelly asked nicely and the festival asked nicely and so I'm doing it.

It'll either be an EPIC meeting of banter or chairs will fly.

* * *

Kelly Hughes Live! Into THIN AIR I
Host Kelly Hughes interviews writers Charlene Diehl, Ariel Gordon and Jordan Wheeler, with music by classical guitarist Skender Sefa

Winnipeg's only live talk show, Kelly Hughes Live! brings you all the trappings you've come to expect from the television talk show: comedy, music and celebrities.

The only difference is that (with the exception of a few ringers like Kids in the Hall's Kevin McDonald and Hugo-nominated writer Nick DiChario), it's all local heroes.

Guests like Tina Keeper, Fred Penner, Al Simmons, Brian Glow, Margaret Sweatman and Robert Enright have been joined onstage by the likes of stellar Winnipeg musicians The Paperbacks, Todd Hunter, Ingrid Gatin and Rollin Penner and the Traveling Medicine Show.

(But it's not like TV in that you will have to leave your house.) It's the TV talk show without the TV.

*
Charlene Diehl is possibly best known in these parts as the brightly plumaged dynamo at the hub of the THIN AIR writers festival. But she is also a hard-working poet, and the author of the new book, Out of Grief, Singing.

Ariel Gordon is a Winnipeg-based writer and editor. She has two chapbooks to her credit, The navel gaze (Palimpsest Press, 2008) and Guidelines: Malaysia & Indonesia, 1999 (Rubicon Press, 2009) and this spring, Palimpsest published her first full-length poetry collection, Hump. She is the 2010 recipient of the John Hirsch Award for Most Promising Writer. When not being bookish, Ariel likes tromping through the woods and taking macro photographs of mushrooms.

From the Charles Gordon First Nation (Southern Plains Cree), Jordan Wheeler has been writing professionally since 1982 and working in film and television since 1984. An author (Brothers In Arms, Just A Walk) and columnist (Winnipeg Free Press, Weetamah), Wheeler’s focus since 1992 has been scriptwriting, story editing and show running for television drama including the award winning series North of 60, The Rez and renegadepress.com. He’s been nominated for numerous awards including three Geminis. He won one, but still smarts at losing to Paul Haggis in ’94.

Skender Sefa is a professional classical guitarist with four full length classical guitar CDs on the GFI Masterworks, Uncontrollable Records and Marquis Record Labels. He teaches classical guitar performance and music theory at the Manitoba Conservatory of Music and Arts and is a Director of the Winnipeg Music Festival and the President of the Winnipeg Classical Guitar Society. In recognition of his career in classical guitar performance, Skender has received awards from both the Canada Council for the Arts and the Manitoba Arts Council. In addition to performing, teaching and recording, Skender is an active music adjudicator/clinician.

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Praise for GUSH

"GUSH is a letter to the world declaring that feminists everywhere are ready to take back the period and claim it for ourselves." —Courtney Dickson in Herizons.

"I expect GUSH will be nonetheless passed around classrooms, as well as book clubs, women’s centres, office towers and break rooms. And I hope this sharing and the conversations that no doubt ensue are not hushed and tittering. I hope teachers, counsellors, parents and partners bookmark pages, highlight passages and display the book on prominent shelves." —Katherine J. Barrett in Understorey.

"We love GUSH!"—Open Sesame Bookstore, Kitchener.

Praise for Stowaways

Winner of the 2015 Lansdowne Prize for Poetry / Prix Lansdowne de Poesie at the Manitoba Book Awards.

"Stowaways is well imagined and well crafted, each poem tight, the poet’s attention evident. From wildlife to the clutter of the everyday to “how-to” offerings, the reader is charmed and enticed by the poet’s light touch and sure pen. Images jump out at us, grab us by the throat, leave us gasping. Ariel Gordon’s second collection is as strong as the parts of its sum.” —Margaret Michele Cook, Katia Grubisic, and Paul Savoie, judges of the 2015 Lansdowne Prize for Poetry.

"Stowaways is a clever and often hilarious collection with its
occasional tenderness let slip amidst a clearly unromantic stance and matter-of-fact prairie landscape. With its freshness of metaphor and crazy juxtapositions, its ironic and often comic twists in narrative, Stowaways is a collection that will hold readers' eyes and play with their wits to the end."—Gillian Harding-Russell, The Goose.

"Though the cover copy promises poems that are 'smart and gorgeously funny' — and they do have those qualities — Ariel Gordon’s voice is more than that. Sometimes within a single poem, she gives us laugh-out-loud humour followed by a poignant smack across the head." —Kimmy Beach, Canadian Poetries.

"Adept and assured, Stowaways swaggers." —Jonathan Ball, Winnipeg Free Press.

"The poems in this collection grapple with both the wild and the mundane, the animalistic nature of nature and relentless responsibilities of parenthood." —Mark Sampson, Free Range Reading.

"Ariel Gordon’s Stowaways offers a scrapbook of extraordinary everydayness. Its poems decoupage tender snapshots beside snappy comebacks. Fairy tale moments foment against ailing skin. Sly instructions for loving smash into slovenly destructions of living. A beautiful, gluey mess of memory, decay, and dreams!" —Kevin Mcpherson Eckhoff

"In the closing poem of Stowaways, the surviving pilot of the first fatal plane crash in recorded history receives a small box of debris from the calamity, 'to amuse him in his convalescence.' What a fitting figure for this collection's loopy juxtapositions and serious surprises. The world in Ariel Gordon's poems is one in which everything and everyone, from a sleep-starved human mother to a miscegenational beluga, is simultaneously endangered and dangerous. If Gordon understands our vulnerability, how 'skin is a thin shield,' that even a birthday balloon, drifting from the back seat is 'a kiss with teeth,' she vividly reminds us that those teeth are ours: 'If I had had twins,' says the new mother in "Primpara," "I would have eaten one.' These are nervy poems that refuse to behave themselves. They are something to celebrate." —Julie Bruck

Praise for Hump

Winner of the 2011 Lansdowne Prize for Poetry / Prix Lansdowne de Poesie at the Manitoba Book Awards.

"The focus of Hump is the rich experience of motherhood and marriage on the one hand, and of city life in the integrated context of the natural world, which is everywhere engaging, fierce, beautiful, and unstoppable. This is capable, exuberant writing, at once passionate and meticulous. Hump is a worthy first book indeed." —Michael Harris, Kenneth Meadwell, and Serge Patrice Thibodeau, jurors for the 2011 Aqua Books Lansdowne Prize for Poetry.

“Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.” —Robert Kroetsch.

"Brimming with finely crafted poems that thrum with life and love, Hump is indeed a very promising debut." —Fiona Timwei Lam, Contemporary Verse 2.

“Not so much sweetness and light, Gordon channels Adrienne Rich's dichotomy of love and frustration with her realism.” —Zanna Joyce, Winnipeg Free Press.

"If you don't know Ariel's work, I can recommend her book Hump, which I keep on my bedside table, along with all my stuff on LOST EXPLORERS and CASTAWAYS and HELLISH SIEGES, as things to pick up and simply open and starting reading anywhere, which is the pretty much the best review a book can get." —Darryl Joel Berger.

"The beauty of this collection is the love of the mother for her child, that relationship that the childfree will never experience. But the beauty is hidden slyly in the gorgeous lines that free themselves when needed from the details of the grime, the blood, the leaking breasts, and the mundane sleeplessness of parenting-turned poetry." —Kimmy Beach, Canadian Poetries

“Hump is gentle and sly, but also as sharp as baby teeth and poison mushrooms. And it’s called Hump.” —Quentin Mills-Fenn, Uptown Magazine.

Origin Story

Why is my name Ariel Gordon and this blog entitled The Jane Day Reader, you ask?

Well, my middle names are Jane and Day, after my grandmothers, Ade Augusta Rooseboom (who was called Day Laban after she married my grandfather and moved to Canada) and Anna Vida Mary Barrett-Hamilton (who became Jane Gordon after her immigration and later marriage).

When I was fourteen, I seriously contemplated using "Jane Day Gordon" or "J.D. Gordon" as my pen name. And then realized that there was no point in having an alternate identity in no-degrees-of-separation Winnipeg.

As a grown-up compromise, I started using 'janeday' as the username for my email and then for the name of this blog, which I started reluctantly and never expected to enjoy...

(I also gave my daughter another version of my grandmothers' names...)